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Monday, 17 October 2011

A sneak-peek of Big B in in Department…

Amitabh Bachchan has always experimented with his looks on screen.
This time, in his upcoming film Department, Big B will be seen sporting dhoti style pajamas, shades and a Scarf. In the film, Bachchanji essays the role of a reformed gangster Sarjerao Gaikwad, who claims that he too has achieved wisdom like Gautam Buddha. In this Ram Gopal Varma film, the actor will be seen helping the politicians fight the underworld.
This look of his in the film has a great resemblance to that of him in 2005 blockbuster Bunty Aur Babli.
Catch the sneak peek here…

Goodbye Dublin, says Salman-Kats!!



Done with shooting in Dublin, the ‘Ek Tha Tiger’ team now moves to Istanbul in Turkey for their next shooting schedule.
Confirming the news, director Kabir Khan wrote,
“Tiger has landed in Istanbul… Schedule 2 begins :-) ” Kabir Khan wrote and then posted a picture of the city, adding “Stunning Istanbul… Perfect backdrop for the Tiger in action…”
The city shown in the first look of the digital poster of Ek Tha Tiger, looks a lot like Istanbul. However, Kabir Khan denies it.
“For all those wondering.. No d digital poster dsnt hv Istanbul as d backdrp.. Thts another magical city which I will reveal only in the film,” Kabir Khan wrote.

Amitabh Bachchan describes his “incredible” experience with Leonardo DiCaprio.

Hollywood production ‘The Great Gatsby’, has Amitabh Bachchan play a small role but Big B loved the experience of shooting. He called it an “incredible” experience.
The living legend is currently shooting in Sydney.
“I am here to shoot for The Great Gatsby, with Leonardo DiCaprio, Tobey Maguire and Carey Mulligan and a host of other prominent artists from all over the world,” Bachchan posted on his blog.
The meticulous working style of the film’s unit has impressed the superstar.

“It has been a delight to be associated with a production that must, in my opinion and limited experience, be described as incredible,”
Bachchan wrote.

“The sheer level of management to detail and correctness in every sphere is by itself an exercise in the ultimate,”
he added.

“Efficiency, professionalism, dedication and discipline would make any venture more than worthy of association ! To be but a part of that procedure would and should ideally be termed a blessed opportunity,”
the superstar wrote.

A jhalak of Aishwarya’s baby bump!!

And we finally get a glimpse of Aishwarya Rai’s baby bump.
Every since the news of her pregnancy was out, Ash maintained a low profile. Not just that, the mom to be always tried to her her baby bump by sporting loose kurtas and flowing dupattas.
It is heard that Ash’s dad-in-law, Amitabh Bachchan has been making religious trips to protect his bahu from buri nazar.

Deepika Padukone’s prem kahani

Deepika Padukone’s love story with Nihar Pandya, apparently her first guy, will now make it to the sliver screen. The film will be directed by Prashant Chadda. And guess who’s the actor?? Well, it’s none other than Nihar Pandya himself.
Director Chadda said, “Nihar is like my brother. I was very close to Deepika as well once upon a time. In fact, I had launched her in a music video. Everybody knows how she walked out of Nihar’s life for Ranbir. Nihar was heartbroken. He had done everything by the book. He looked after her for three-and-a-half-years. In fact Deepika stayed in Nihar’s house with his parents for three years.”
It all started back in 2005, in an acting institution where Deepika and Nihar fell in love. Deepy always maintained the “just friends” tag. However, things were crystal clear when Nihar threw a lavish party for DP on her birthday.
Things were going great between the couple until Ranbir Kapoor made his entry.
“Nobody knows that Deepika actually came crying back to Nihar after breaking up with Ranbir the first time. Nihar went looking for Ranbir, intercepted his car and asked him what he was doing with Deepika. Ranbir shot back, ‘Ask your girlfriend that’. Even after all this, Nihar took Deepika back. And then the same thing happened with Yuvraaj Singh,” claimed Chaddha.
Though the story is facing opposition from certain quarters, yet Chaddha is adamant on making the film. “I owe it to Nihar.” concluded the filmmaker

Tuesday, 11 October 2011

Amitabh says 'Buddha hoga tera baap!'

The wrinkles are visible more than ever, the crowfeet around the expressive eyes are getting worse and a recurring liver problem needs constant medical attention.
But actor Amitabh Bachchan’s towering presence in the Indian film industry over four decades is testimony to an era dominated by men of enormous talents and cinema reflective of the socio-political turmoil of his times.
As Bachchan turns 69 on Tuesday, his films bear his legacy of suave, old world charm, discipline and impeccable courtesy. His understated style defines the roles he has scripted over the years, from the reticent doctor in Anand (1971), the loner in Mili (1975), the simpleton in Yaarana (1985) to the upright educationist in Prakash Jha’s Aarakshan (2011).












The romantic hero of the 60s and 70s reinvented himself time and again through iconic films that still appeal to a wide range of audience. In a way Bachchan revolutioned the industry when he made his debut in 1969 with the film Saat Hindustani.
Bachchan’s entry was as ‘filmy’ as the roles he played later on. Indian audiences, used to seeing actors of average, even diminutive statures with on-stage mannerisms that fall back on an era of KL Saigal, Ashok Kumar, Dilip Kumar and Dev Anand took some time to adjust to his lean frame and intense acting.
He had an angular face, unsuitable for his time. He had a baritone and large expressive eyes, poets eyes, some said. Producers were sceptical about casting the six-feet-tall young man with the brooding eyes.
Prakash Mehra’s Zanjeer (1973) was a major turning point for Bachchan as well as Indian cinema as it established a role that marked the temporary end of the gentle-romantic-besotted hero.
The angry young man tag has stayed with Bachchan for four decades, as has ‘Big B’ – a term fondly coined by his fans - culminating in a biopic by Puri Jagannath that pays tribute to the 70s, arguably the best phase of Indian cinema.

Kapil Sibal puts spectrum at market price, zero roaming

New Delhi: Announcing the draft National Telecom Policy (NTP), Telecom Minister Kapil Sibal on Monday said that there will be one nation-one licence policy across the country, which means removal of roaming charges.
As per the draft NTP unveiled by the Government on Monday, spectrum allocation will also be de-linked from licences and radiowaves would be made available at market-determined prices.
Announcing that revenue generation for the Government will have secondary role under the new policy and the aim is to make roaming free of cost, Sibal said, "Draft NTP aims for 'one nation-one licence'."












We will seek TRAI (Telecom Regulatory Authority of India) recommendations on new licences, migration to new licences and exit policy," Telecom Minister Kapil Sibal said while releasing the draft policy.
Draft NTP targets increase in teledensity to 60 per cent by 2017 and 100 per cent by 2020, said Telecom Minister Kapil Sibal.
Sibal also said that he wants India to become a hub for telecommunication. "Draft National Telecom Policy 2011 targets broadband on demand," he said.
"Will make 300 MHz of spectrum available by 2017 and another 200 MHz by 2020," he said.
Kapil Sibal also said that in order to make TRAI Act and Indian Telegraph Act more effective as per the current requirements, the government will review the rules and regulations to make them more effective.
"The draft National Telecom Policy (NTP)-2011 will review the regulator's TRAI Act-1997 and Indian Telegraph Act-1885 with a view to addressing regulatory inadequacies/impediments in effective discharge of its functions and other allied legislations in furtherance of the policy objectives,"he said.
The draft also calls for enacting a separate Spectrum Act which inter-alia deals with all issues connected with wireless (spectrum) licences and their terms and conditions including re-farming/ withdrawal of allotted spectrum, spectrum pricing, spectrum sharing, and spectrum trading.